Paris in Sadequain | Art and culture.

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YesThere is something personal about each of Reit’s books. They create a private path for each individual that opens them up. Albert Camus’ most famous novel. Stranger (Also as a translation OutsideReached me in an unusual way. First, I saw Kamil David’s novel. Mercenary Investigation.. I read Stranger After finishing the book by the Algerian author who presents the point of view of the unnamed Arab in the story of Camus.

The story, known to every lover of literature, is about a man who wanders in a web of time, events and circumstances. Sadiqin once remarked that to some extent, perhaps, the main character represents Kamos himself. In any case, like every classic, a reader is bound to identify with the main character, regardless of the setting, duration and other details. The existentialist rage presented by Camus has been shared by people all over the world. The opening line of the book: “Mother died today. Or maybe tomorrow, I don’t know. It shakes the backbone of any reader.”

Connected to Sadequain. Stranger The other way around. During his stay in Paris, after winning the Artist Under-35 Award at the second Paris Benale, he was commissioned to produce lithographs for a special edition. L. Etranger. In 1964. In a letter to his nephew, Sultan Ahmed, dated January 29, 1964, Sadiqin informed him of his choice of several Parisian artists. Other letters to the family include updates on her work, her reception and appreciation. And it began on October 27, 1966, at a gala dinner at the Place de la Concorde.

He made 35 illustrations for the book, 22 color lithography to illustrate key scenes in the text. The Stranger in Paris, held from March 29 to April 23 at the Grosvenor Gallery in London.

Art galleries try to find an unknown hero, an unknown artist, a lesser sculptor, a long-forgotten photographer, but the Grosvenor Gallery has reintroduced an aspect of the famous Siddiqui. It is not usually mentioned in the Oviedo. By looking at these images, supporting the important parts of the volume, one recognizes their role in shaping one’s style. Sadiqin shows the scenes: Mother’s last rites with the sun shining in the landscape cinema Myrsalt and Mary are both embracing on the beach Visit Myrsalt “wearing a beautiful dress with red and white stripes and leather sandals” ۔ Other lithographs show beach groups. The protagonist watches the city lights from his window. In the company of his friend Raymond, a smoker and a drunkard shot an Arab who brandished his dagger. In prison he met his lawyer with a cross-branding judge in a cell with insects all over his body; Loneliness reduction meeting with pastor in lockup

When we read the text and look at the pictures, we make a strong connection between the two. Also between two people – a famous author, who died in a car accident in 1960 at the age of 47 after winning the Nobel Prize for Literature, and another a 30-year-old Pakistani and a relatively unknown painter, although they never met. ۔ One believes that the artist did not speak French. However, Sadiqin seems to have seen the book not as a chain of events, an account of deeds or a sequence of places, but as a scene of a lost soul. Mursalt acted (did not act) throughout the novel as if someone had. Wandering in a cold, remote, arbitrary, unscrupulous and man-made hell.

For the righteous, the task of giving an example of an existential text was a message from God because it belonged to a literary tradition in which man is not free, but an instrument of heavenly powers. The whole idiom of Urdu poetry is about a hidden, ubiquitous presence of power and oppression. Content of StrangerWouldn’t have been weird for Sadiqin, who was immersed in a story. how are you (Disturbed by the situation)

One can pick up some of SedQuin’s pictorial features that reappeared in his later work and helped solidify his identity as early as the mid-1960s. The parables of the book have two kinds of sensitivity. Some of these are more realistic (read logically) pictorial impressions: a man and a woman in sexual postures, people waking up, hanging out, two people talking, a lonely soul off the walls, some reliable content Have Although the figures and background are married to one-handed painting, calligraphy was her long-standing love. Human bodies resonate not as a solid volume but as a ‘patty’, consisting of layers of calligraphic strokes. The patchwork of lines and strokes, later known as the Sadequain-esque, was born in his Parisian prints. One reason for this style was the separation of the stones to print each color. A picture was completed when several impressions of separate slabs were placed on a piece of paper.

That linear quality of its aesthetics can be seen in these lithographs. Some of these activities point to settings – like life snapshots, justifying the text that is a smooth narrative, and connecting the atmosphere in the reader’s mind. But since Albert Camus’s book is not a report of events – it describes a person’s inner scene, his thoughts, distances, displacements, demons. In Latin American literature)

One character is seen giving another person a “funny mask”. A man “forced to live inside the hollow trunk of a dead tree” finds his smiling face in a prisoner’s metal dish to make him look serious and serious, and a demon-like figure confronts the culprit and hovers over him. Sadiqin relied on fantasymagonal words, such as one of the last scenes – in a prison room where the pastor and the main character are connected to a large figure made of bricks by the prison walls.

These works can be seen as the first steps in bringing the artist into the subject. In his later years, Syed Sadiqin Naqvi introduced himself as Sarmad without a head, a fasting Buddha, and Farhad as a labor lover. But in his examples for Albert Camus, he was outsourcing himself instead of Marsalt. In a letter dated July 31, 1964, Sadiqin informed his nephew that “all 25 color illustrations in the book are in fact self-portraits,” said Cynthia Ozak: “Every biography is a kind of biography.”

The author is a Lahore-based art critic.



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