Flights anywhere | Art and culture.


F.The lights were always frightening, but for the past year and a half, boarding a plane has been associated with the risk of catching the corona virus as well as being killed in an accident. Covid 19 has affected air travel as much as the 9/11 attacks. Today, the only accessible, comfortable and affordable flight of choice.

Art is the flight of fantasy: it takes us to other landscapes without leaving the ground under our feet. You can fly to any destination, direction, direction: it gives us a glimpse of the past, a glimpse of the present and a glimpse of the future. Often the three meet in one, as seen in the recent group exhibition, Flight, at the Coil Gallery, Karachi. The show (being held from May 25 to June 16) features 11 artists from different fields, races and origins.

This display brings together people who deliberately did not express the concept of flight in the literal sense. Some of the work was intended for the show, while others were a continuation of the participants’ previous methods. Therefore, inside the gallery space, while dealing with the rusty routine of life, one can experience many flights in an hour / day. Huma Malji’s Crystal Palace, “a replica of a model home – as found in real estate offices”, is made up of mirrors and balanced at inclined angles, indicating the temporary nature of something solid like a house (or Sacred as home). The artist cites the ancient statement of Queen Sheba to step on the floor of the palace of Hazrat Sulayman (as), confusing it with water. The 2010 Mulji statue can also be compared to an airplane – a temporary home in the air – with the same tilt during its take-off position or landing. Carrier made in a mirror instead of metal.

Seen from a safe distance, airplanes look like mechanical birds moving in the sky like other birds. One wonders how crows, eagles, vultures see these alien creatures occupying their airspace. David Ellis Worth and Tim Southall (a mixed media artist from Bristol, UK) create Magpie, Pika Pika with laser cut cardboard interlocking pieces. An installation in variable size, which can be emailed to multiple addresses and re-assembled according to the artist’s plan. “Fruits made from international fruit cartons in Bristol’s markets that have already ‘flown’ around the world, such as migratory birds on well-defined air routes between producers and consumers” art collectors, now already Far more international. Alice Worth and Southhall describe their work as “a cobweb in the subcontinent, based on the Magpie, a similar bird in British story and culture.” His artwork is on display at the Coil Gallery.

Somehow the bird, this small and weak creature, solves a major controversy in modern day politics. They move over countries without recognizing, hesitating or blocking national borders. The statue of Alice Worth and Southall is related to the idea of ​​flight in her acquaintance – hence freedom. From the limits of one’s tradition, convention, customs – and first art production.

Another participant in the show, Atif Khan, seems to be moving away from his previous formal solutions. For many years, Khan has been creating visuals similar to the Mughal miniature paintings, popular truck art, traces of colonial heritage, and occasionally cut and paste. In the recent part of his work, it appears that Khan has finally found the right mood to ‘make’ himself. A collage of diverse sources is now formatted in a circular format, giving the impression of a bright – almost backlit disk. For Khan, these 8 bubbles explore the four elements of nature. The four elements of air, water, fire and earth and human existence; Soul, Body, Mind and Heart “, but they also represent the various elements of our pictorial past. Small paintings travel under heavy black clouds, the same birds seen against dense vegetation, a Mughal figure lined up against the present in the form of a coffee Adds, because a disc – by its very nature, usually does not hang on the frame and wall.

And so is the ‘Dish’ antenna, a forgotten device used to connect to news and entertainment channels around the world (before the spread of the cable network). These dishes can still be found at some residences, but one of them is on display by Rameez Abul-Rahman. A disc is stuck to a piece of stained glass, through which it has “shown sea patterns”. A similar interest is seen in his other work, the waves, with the variations and echoes of the waves. A high peak made of sandblasted and color processed base, giving you a sense of color change, vibrating colors and reduced tide. Although the work, like some of the others selected on the show, emerges raw and early, it is reminiscent of being on a beach – a bed of migratory birds.

In such an exhibition, a spectator expects objects on display related to flying, but artists usually do not respond to situations and situations in the expected ways. Jamil Baloch once told me about one of his classmates who went with other students to paint the Ravi River, but instead of focusing on the water, like everyone else, he took off his old shoes. Pulled out of the bag, and confirmed. Freedom In the same sentence, Jamil Baloch’s statue, Manzil, which looks like non-stone stones, made of resin and plastic, confirms that stones fly.

As children, we used to play the game of pointing fingers at every appropriate announcement: like a bird flies, a parrot flies, a crow flies, a dove flies. But not at the same sound yet on misleading suggestions like a cow flies, a dog flies, or a door flies. After seeing the exhibition in the Coil Gallery, one will point to everything else, including rocks, houses and art, as art takes us on a journey of unknown journey and extreme joy – which never ends.

The author is an art. Critics based in Lahore

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