“Maybe tomorrow is just another name for today.”
– Eduardo Gilano
وائیEaster Day was also 24 hours less than every other colorless, nameless and memory. The nation celebrates Independence Day on 14 August: Freedom from British rule: Freedom to rule their country, freedom to practice their religion, profession, politics without fear, freedom to express their views, whether with or without Conflict between the government and some powerful institutions.
No one believes in all these freedoms, real or imagined, but a great demonstration of freedom is seen every year when hundreds of young people ride their motorcycles without silencers (mainly around the Liberty Market in Lahore). Pass). Loud voices remind us that we are free to do whatever we want. No authority, police or law can interfere or stop our happiness.
We celebrate, but we must also think about being free. Politically, we are free (to vote) but there are other areas of social life in which a citizen faces restrictions, limitations and restrictions. It would be tiring to remember our circumcision and caution when commenting on some of the sacred sections of society. In many other, seemingly non-political areas, freedom is just an illusion or a dream that arises on the morning of August 14 every year.
For whatever reason (security, medical), when a citizen of the Republic walks in a public place, he tastes freedom: every police / army checkpoint is stopped, high-ranking offices are searched Countries deprived of recreation allow, stay under house arrest for long periods of time and speculate as to when the government or the courts will ban tuk-tuk.
In a sense, we are free, but not completely. We can go and pray, but only in mosques that belong to our sects. We cannot support a neighbor’s (read enemy) player if he is participating in an event in which a Pakistani is also participating. We cannot (publicly) appreciate the policies of another neighboring country (read another enemy) during a war or crisis in the region.
Freedom for which being careful and considerate is a controversial concept. It is always stated, redefined, revised. In Islamic philosophy, the question Oppression and power (Before destination). And agency) has been an important debate: if everything is already decided by divinity, then how is a man free to make a choice? Is he responsible and can he be punished for his actions? Hazrat Ali (may Allah be pleased with him) was told that a man was free to lift one foot whenever he wanted, but usually not both feet at the same time.
Then one realizes that in every aspect of our lives, we are faced with options and limitations. Sometimes there is confusion because people misunderstand / accept limits and options. This is most evident in the world of creative practice where risk often replaces tolerance and someone goes through a cycle of repeated performances, sometimes with cosmetic changes. Once artists, writers, singers, actors, directors reach a level of success, some of them are tied up in this way. There are a lot of TV actors who have never come out of their famous roles. There are also authors who, after creating an early best seller, continue to develop the same issue under different headings. Artists who paint variations of their valuable works of art. Singers who recycle the melodies of their previous mega hits.
In most cases, it is not the state, society or convention that stops the creative person, but their own success and market reading. The market expects, demands and controls the production of pieces that can satisfy consumers. We’ve seen a lot of artists who, despite their brilliant and promising beginnings, have come under commercial pressure. One of them lives in Karachi. He can make canvas with dark horses of any color depending on the client’s demand. Although he is an honest ‘worker’, he has developed a style, technique and imagery that can be recreated with minimal and precise manipulation. Ad unlimited And obviously House Guard.
His style, no matter how much it is celebrated, loved and collected, has long been a symbol of his identity as well as his shackles. Today, when we go to an exhibition by a well-known artist, we expect to find the same scenes, materials, and strategies that we have been admiring for decades. We are seldom disappointed, because there is a blurring of the line between old and new. You see the paintings have been turned into installations, the statues have been translated into performances, the miniatures have been turned into prints, but these are the same images that have been re-assembled, re-assembled. Gone and re-submitted.
Perhaps the greatest sign of freedom came after Marcel Duchamp’s refusal to create art, following his great success. In an interview with Pierre Cabin, Duchamp announced, “I like breathing better than working.” There are some people who enjoy this freedom, separate their identity / dignity in a certain way and move towards something unexpected. Philip Gaston shocked everyone when he gave up his casual skills in complex abstract canvas painting for some kind of cartoonist imagery that was immersed in simple and basic colors, tones and moods. This turn surprised many, and some disappointed, until the eighties, when with the rise. New painting. Guston was recognized as his prophet.
Among us, there are artists who have amazed the audience and themselves with their works. One of them, Mansoor Saleem, was not bound by a style, or even a position in art. The answer to everything he felt was art, no matter how diverse and contradictory. In return, Iqbal Jeffrey has overwhelmed the audience with his ever-innovative mind. For him, art is not a stylistic sophistication, but a battleground for aesthetics, ideas about society and life.
Something else, well-known, respected and recognizable has been collected for the image, which had the courage to leave it for something different, uncertain and unusual. Ijaz-ul-Hassan created a printed college in 1990, superimposing the illustrated pages of his book. Contemporary painting in Pakistan, A possibility he discovered and used in the printing press. And in 2019, choose completely different things. From popular media talk shows to blurred, soft and mixed scenes of politicians and analysts, different levels, patterns have become that reflect our tangled reality. By beauty they flex print, affirming our freedom, but seldom practice or hardly meditate, waving national flags on our roofs or making annual photographs, techniques and strategies in our studios.
The author is an art. Critics based in Lahore