SIM full of messages Art and culture.

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A.Stone Age, Bronze Age and Iron Age, we are now living in the age of plastic or silicone. One of the unique aspects of our time is that plastic products (especially those used for information, entertainment and social networking) continue to lose their dimensions / weight until they disappear. Go. We still remember how LP records were converted to audiocassettes, then CDs, DVDs and USBs, until they all became useless with the advent of YouTube. Computers were initially room-sized, then switched to desktops, laptops and tablets. I remember seeing a cell phone that was so big and heavy and a servant had to take it to his master. Now these devices have become thinner, smarter and more sophisticated.

Development has increased the convenience of human beings. However, it has also created a new problem: what to do with the lost objects of desire. I’m so attached to my laptop that I’ve never dumped or sold it. However, a large number of people throw away their inactive devices for the sake of space and hygiene. In his novel, Clara and the sun., Kazuo Ishiguro solves the problem of attaching someone to some gadgets and especially how artificial friends (lifelong robots) can be ‘human’. One wonders what happens to videocassette recorders, audiocassettes, transistor radios, old TV sets, old mobile phones, computer monitors and so on when they lose their owners’ desire and It has to be disposed of as a trash can.

Like former teachers and old friends, these things have played an important role in enhancing one’s ideas, imparting knowledge and attaining a high position in society. Today, our cellular phones are like our friends, colleagues and leaders. They provide a variety of services and facilities. Considering this trend, Raheela Abro has suggested a new Urdu acronym. سم, made of Think (Idea), Knowledge (Knowledge) and Location (Position)

Full of messages

SIM, of course, is another, global and interlingual usage that means the Subscriber Identification Module. It is a small plastic card that enters our phone and connects it to service providers’ networks. Previously, there used to be a standard size, but with the advent of smartphones, you can now get a smaller version out of a ‘normal’ SIM card. SIM, like many other concepts / products / phenomena, is globally recognized and named. But one would think that the time will come when telecommunication companies will get rid of it and connections will be made without it. Then there will be a lot of unused SIMs. Already, every home should have an additional SIM card number from block numbers, expired accounts, and international travel, etc. There are several options for disposing of them: splitting them into two pieces, or Some pleasant moments to keep as a memento

Anyone can use them as surfaces for painting, as Rachel Abro does. In her solo exhibition, SIM (Canvas Gallery, Karachi), Eyebrows showcased the art created on the SIM card. It is in view of these works, manicures that a viewer understands the Urdu acronym for eyebrows, as he has chosen this thing, SIM, to show his identity, information, position, faith, race, wealth, globalization and connectivity. Of

Raheela Abro, in her carefully presented levels, has found utility to express ideas in passive SIM cards and collisions, in terms of utility and to comply with the global spread of information technology..

A SIM card – which contains a mobile phone number – is a form of identification in its own right (in the future it could replace computerized national identity cards, passports, credit cards, etc.). Eyebrows, in their carefully presented surfaces, have found a usefulness for these passive SIM cards and in conflict, for the expression of ideas and in compliance with the global spread of information technology.

After each flight, I keep the rest of my boarding pass to use as a bookmark, but Rachel Abro didn’t just reuse those things. He re-created them, and gave them birth again. It has a SIM card, a bookmark with a traditional pattern and tassel, a Pakistani passport cover, a national identity card and a cloth cover for the Koran. Two SIMs have been added to create. Rehl (Wooden stand usually for religious books), prayer mat, stained diary pages, a carpet, tablets with holy scriptures, a map, sheets of currency notes, calendars, old letters and envelopes and next to one Or the middle pages of the book

Full of messages

Much praised for his skill in painting microscopic details of complex objects on such a small object, the eyebrows have gone beyond their ability to mimic reality. Now, it is his choice of ‘reality’ that makes his work interesting. He has deliberately chosen things that are closely related to the idea of ​​identity. In his book Identity and violenceAmrita Sen argues that no one has the same identity. Following Professor Sen, multiple (and simultaneous) identities of an individual can be discovered around us: a woman, a Baloch, a Pakistani citizen, a Muslim, a Shia, a strong believer in secularism and democracy, A pet engineer, a cricket fan, a singer of classical music, a supporter of a particular political party. These identities may differ from one another, but they are still comfortably present in the same person.

Eyebrow-painted skis offer information about diverse identities and beliefs, nationalities, learning, money, human relationships. In addition to using it, Raheela Abro explains the many ways in which our cell number has become our dominant identity and source of ideas, information and status for us.

Full of messages

The show has seemed a bit unfocused in recent episodes, but it’s been a long time coming. When it comes to a single SIM or a few that point to a simple image, it speaks more than the artist’s skill in painting on a one-minute scale. They focus on social structures, psychological aspects, economic and political systems, and personal elements of society – but also in the arrangement of SIM cards with prints and findings (eggs in baskets) of the artist’s previous paintings. A room setting with a small chair, a dice and some dried plants. A hollow book under a pair of two chess pieces, a glass, and a red ball (probably an orange) fountain, and a partially painted worm at its base; SIM card selection becomes a means of building a short static life.

It unfortunately takes everything that was interesting, intelligent and inspiring – and meaningful in its work, everything that made fast and strong connections, such as good, reliable and powerful SIM cards.


The author is a Lahore-based art critic.



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