Return to Exile | Art and culture.


Leila is listening to YouTube 2021.

of theAmila Shamsi writes her short story Mir Aslam of Kulachi (from a collection of writings by 12 authors in response to Servants and Shakespeare) about a Karachi storyteller who dreams of going to Cordoba in Andalusia. This man does not intend to travel the distance alone, but over time, until the Arab presence / rule in Andalusia, Spain. In no way is he different from the narrator of Marcel Proust’s novel. The way of the swan., Who admits: “I just need to show them again, pronounce them. Name: Balbeck, Venice, Florence, whose characters gradually gathered all the desires from which they stood.

We are like the main character of Prost. Whenever we imagine, remember, desire or dream, we also connect cities, places, situations. In a way, today’s inhabitants are located in many places at once – scattered in time, divided into geographies. For example, an individual is surrounded by objects made on distant lands in his bedroom or living space, or has been developed over the centuries. Thus, choosing a spoon that is based in Egypt is associated with Sweden, and wearing an antique. Sari A woman in India is associated with her country’s pre-colonial era.

There are other journeys of different times and places but they are steeped in the history of occupation and manipulation. Among the European merchant companies that traded and later ranked the occupied territories is currently ranked as the Third World. Trade and transportation of spices, exotic birds, exotic flowers / fruits as well as antiques as well as antiques such as manuscripts, textiles, pottery, wooden traces, antiques, jewelery interact with different parts of the world. Facilitated.

One can dismiss the whole trend as an illicit trade between the oppressor and the oppressed, exploitation and exploitation, but there is also a silver lining to these exchanges. Rembrandt, the great master of European art, copied the Mughal miniature brought by the Dutch East India Company. And French impressions are influenced by Japanese wood block prints arriving in Paris, even though they were eventually absorbed into the mainstream of Western Canon. There are many other conflicts in different directions and for different purposes / benefits.

It seems that the world was global before it became a term for globalization. Despite the axis of power, the dialogue between cultures has strengthened every community. Rome conquered Greece, but it was Greek art that captivated Roman society / spirit. If we map our world today, we are part of a great combination. Different continents and centuries have been merged into what we call ‘now’. It is a ‘now’ that has swallowed up everything right, valuable and visible places and timelines.

Check out Faiza Butt’s solo exhibition at Grossonor Gallery, London, in her magnificent work of supernatural (October 8-20, 2021). Later, after a long hiatus, he returns to painting in oils. In the handling of this slippery substance called oil color (added to other types of solvents). It is a process of displaying images and ideas that are once declared useless. Faiza Butt, ironically, during her postgraduate studies in the UK, recalls the daily conversation in the so-called ‘Painting Department’ about the death of painting and its justification.

Supernatural 2021.
Supernatural 2021.

The exhibition includes canvases that testify to Faiza Butt’s sophistication and skill in handling oily paints.

In his persuasive book, Return to exile., Thomas McEwley argued for one. New definition of painting for the modern ageA And one would think that Faiza Butt, and many others (including Salman), have redefined painting for our age. In fact, the old (and bizarre) debate over whether a painting is dead or resurrected (Butt was at the Slade School in the 1990s and MacVaul’s publication came out in 1993) does not have much currency or relevance today. Translated into Medium. Digital formats for the general public, including sculptures, installations and performances, are widely accessible via the Internet. Therefore, for a larger context, it is difficult to determine which material / technique you choose, as it will survive in the digital version in the imagination / memory of the audience.

Still, Faiza decides to paint the butt, and proves her incredible grip on spreading the familiar language. She offers busy interiors with a young girl and a young boy (her children). Surrounded by blue porcelain, paintings in gilded moldings, fragments in vases filled with flowers, books arranged on shelves, bed spreads, printed covers, blankets, comfortable seats and cushions. Human figures are well located in this interior, which seems somewhat timeless – at least not in the third decade of the twenty-first century. Teenagers in London, or any other European city, or anywhere in the wider world, seem to fit into this routine at home.

If one looks at its remarkably painted surfaces, which are rich in the joy of paint, one knows that the creations here, which look at family photos, are comments on our changing environment. And our relationship with him is changing. Butt’s work rooms are inhabited by a few foreign objects from China, Japan, and other parts of the world (foreign is a relatively term term.) A Spanish doctor among the natives of).

Zot on Spotify, 2021.
Zot on Spotify, 2021.

Faiza Butt draws our attention to the concept of alienation through painting. Supernatural, In which “exotic birds exist in utopian harmony. Humans are absent, but their presence is felt in the form of debris and debris, which is spread around the creatures.” Franz Snyder, James A. Wessler, and The authentic ecotica aspect of George Hedrick Bretner’s art impresses Butt, as he devotes his aesthetic elements to mapping a worldview that cannot be separated from the past or the present. Time is of the essence for young adults in their comfortable settings, with their beautiful utensils, canvas, vases, linen, draperies, decorating-holding and holding devices. Smartphones, remote controls, Instagram usage, Access to YouTube, watching the series supernaturally, listening to Spotify, occupy this ‘eternal, perfect’ (contemporary) place reminiscent of a cultural / colonial past that is still with us in our modern lives. Fun.

Faiza Butt dismantled, destroyed and destroyed the structures of identifying, classifying and segregating nations as ecotica, because we live in a world where one can choose pasta, biryani And black pudding from the same shelf / store. It is a society that has changed the supernatural to the natural – or natural to the supernatural, as described in Faiza Butt’s art.

The author is a Lahore-based art critic.

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